What’s more, LUT (Look up Table) packages are increasingly popular too, luring photographers who are eager to get more of a ‘cinematic’ look.Īnd let’s not forget the growing number of photographers who are discovering or rediscovering film, cutting out the emulation middlemen altogether. This is not just coming from other software firms, such as Mastin Labs, VSCO and all the other preset suppliers out there, but also from camera makers – particularly Fujifilm, whose cameras have long had quality film emulations built-in. The latest version, FilmPack 6, needs to deliver more than just a bunch of new film emulations and filters, however, as DxO now has a lot of competition. Its other image-editing packages attract positive attention too, particularly for the DeepPRIME noise-reduction features in PureRaw.ĭxO FilmPack has been around for a while, and as its name suggests, provides digital emulations of a lot of classic film emulsions. DxO has done an impressive job with the Nik Collection since taking it over from Google, turning a neglected image-editing suite into a powerful package that manages to rival Adobe while integrating seamlessly with Photoshop and Lightroom.
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